Read Ian’s Stories

Ian D Smith writes because he has ideas. Read Ian D Smith’s poems and stories in The Smoking Poet, Ink, Sweat and Tears, The Front View … Plus a photo stream.

Writing about the legacy of change, moments of transition, progress, regeneration, rebirth and renewal over four decades.

Ian D Smith:

Story Sale: The Angelfish, Big Pulp.

In-Car Valeting Story Published

incarvaletingsmallThose great people at Rainy City Stories chose to publish a story I submitted months ago, In-Car Valeting. It’s a short, direct piece redolent of Raymond Carver’s active, surreal story Viewfinder.

Carver contrasts social and physical deformity, whereas In-Car Valeting contrasts physical and social mobility in a world that grows rapidly more divided. A man who has military habits, shiny shoes, slicked hair and a sharp salute is literally left behind. You feel the “tear-arsing Audis” are going to win the race south if the narrator hangs around any longer, not that he’s in any position to keep up himself.

The hitch-hiker / in-car valetor is a disabled former soldier trying to make a living with a ludicrous ill-thought out business start-up. He has a specially-adapted briefcase containing the tools of his trade.  He’s similar to those brave and defiant former prisoners who visit door-to-door suburban estates with brief cases full of cleaning products.

The narrator feels he could do with a cleaned-up vehicle, but his haste to help the man get out of the car once he realises he possesses false hands reflects his own impatience, his own lack of social mobility. It’s a rat race, and there are winners and there are losers.

PS I’m spreading the word about the Veterans in Prison association, VIPA. Their website is http://www.events21.com/ and they’re also on Facebook.

Ian D. Smith's Writing Credits

Ian D. Smith - Writer

Ian D. Smith - Writer

newyThe Front View (aka The View From Here) (ISSN 1758-2903): Telescopes @ http://tinyurl.com/q88dqv

Transmission 6 (ISSN 1752-3729): Nobody Knows a Damned Thing @ http://tinyurl.com/dnmkzd

Transmission 4: The North is So Much Better for Youngsters Today @ http://tinyurl.com/c35e83

Nobody Told the Horse, I Hadn’t Even Started and Not Your Problem (Surprising Stories) @ http://tinyurl.com/qnnf5x

Think of a Name For It (Verbsap) @ http://tinyurl.com/c4utyy

The Day I Asked Blake Morrison If He Raced Pigeons (Eclectica) @ http://tiny.cc/uZSuM

Swing Naked, How They Looked at the Sun and Roads That Go On and On (Eclectica Spotlight Author) @ http://tinyurl.com/c5mn5g

There Has to Be a Better Balance (Eclectica) @ http://tinyurl.com/dm892t

Lulu storefront @ http://tinyurl.com/bjl77r

Tony Blair: The Wilderness Years (Amazon)  @  http://tinyurl.com/cn4fsb

Deepa Kandaswamy’s review of Tony B @ http://tinyurl.com/bpnxgh

Please back my novel at Authonomy.com.

Releasing a Copy of Tony Blair: the Wilderness Years

Releasing a copy of Tony Blair: The Wilderness Years through BookCrossing.com in the Oxfam Bookshop Salisbury! Go find it (today, after 3pm GMT). :->

Attack!!! 10 is Out Now

Go here:
for the work of Gethan Dick, Johanna van Fessem, Matthew Giraudeau, Antony Hall, Steve Leighton, Mark Lewis, Andrew Murray, Chris Murray, Rae Rae, Ian Duncan Smith, Ben Platts-Mills, Erica Viola and of course, Wes White.

Attack!!!! 8 Is Out Now

My new copy of Attack!!!! 8 has just arrived from Wes White, and very good it is too. Here’s how to get your copy:

“Subtitled “Response: White” because it’s made up of responses to my piece from issue 5, which you can attempt to read here if you like: http://www.ecartilage.co.uk/responsewhite.htm

These responses include an audio track of Johanna van Fessem reading (and singing!) the original piece, a work of sound by Rarg, illustrations from Tor Freeman and Gethan Dick (hers is interactive), and writing from regular contributors Ruth Moog Baker, George Galbraith, Steve Leighton, Chris Murray, Ben Platts-Mills, Ian Duncan Smith and Erica Viola.

Here are some of their own websites:

www.rarg.net / www.myspace.com/rargsmusic

http://www.torfreeman.com

http://www.gethan.org

http://www.glenfruinpress.co.uk/journeys%20of%20i.html

http://www.iandsmith.com

Here is the issue’s own page: http://www.ecartilage.co.uk/attack0801.htm

Some people have had problems trying to subscribe over the last 48 hours – these should now be fixed! If you’d like to try again go straight here: http://www.ecartilage.co.uk/shop.htm

Friction Fiction Podcast Show 42

In show 42, I play some great new songs from Myspace: Snow Globe and Take One by Jimmy G, Some Things Will Never Change, and Collide by Ayewrite, Natchoongi Breaked Dub Rmx ft Salman Ahmad by Antony Raijekov from ccMixter.org.

Poetry: I read The Insurance Claim by Peter Asher from Poetrymonthly.com. I read my bridge poem, Tacoma Narrows Syndrome. This is a poem about a man who warns people when bridges aren’t safe. I wrote it in 1996.

Prose: my new flash fiction very short story, No Slowing Down.

The show goes out at frictionfiction@libsyn.com

My Writing Is In Attack!!! Magazine

Don’t Get In Its Way is a page of fiction I wrote in response to Ben Platts-Mills sad story All I Wanted To Do Was in Attack!!! 6.

Attack!!! 7 has just arrived, and it’s another a great little issue created by Wes White. My writing is alongside Damaged Goods by Erica Viola, and I’m very pleased about that because the stories go well together.

The whole pamphlet works brilliantly. There’s some really edgy writing. I wasn’t sure whether I had the right idea with my response. Had I misunderstood Ben’s piece? I thought my idea was not going to work, but now I see the writers and artists have all gone with various interpretations of the metaphors which lay at the heart of Ben’s story, the squashed tin, the damaged goods, Tescos, Safeways, the demanding supermarket giants, the accident on Appold Street, the cheap food supply chain, the injured woman. They are all linked, and all these pieces are linked. It seems that a little insecurity and pressure has worked with everyone. I was certainly feeling the pressure. I wanted to submit my song Looking Back, which I just posted here, but Wes said he preferred a piece of writing.

So I set about putting myself in front of the same lady at the till who is in Ben’s piece. All the fiddly details of supermarket shopping and the annoying marketing came out in a sort of rant. It’s a piece of Life Writing I’m very pleased about, and it’s great to see other terrific pieces, 4o Degrees of Madness by Chris Murray, Opening Doors by Nick Beech, Satori in Tesco by Steve Leighton, I Embroidered This Patch by Gethan Dick, and the artwork: Bandage Head by David Lupton, Strange Day by Mathieu Wernaut, Tins Have Feelings Too by Zeroten, and the cubic Amber Red by Wes. My favourite is Opening Doors, where the stages of opening doors is described in some detail.

Contact Wes White Splotts Moor Farm, Wick, Glastonbury, Somerset, BA6 8JS.

18/7/07 – wrong things corrected.

Nobody Told the Horse – True Story


This is a true story about walking a dog. I used a bit of fictional licence regarding the owners of the dog. They weren’t like that at all. It was a friend’s dog. However, the rest is accurate. It’s a story about anxiety. One reading is that the horse is a metaphor for a panic attack. The story is published in Surprising Stories.

The dog pulled on its lead, and the owners pulled back. They said I shouldn’t hang around. I was making things worse. The dog was hard to control. It was my fault it got angry. They pulled, and the dog pulled back. They shouted, and the dog barked. I smiled.

“Why don’t you try a little understanding?”

They looked at each other. I backed away. They let go of the lead.

“You’re such an expert, try walking our dog.”

The dog’s paws landed on my chest. They laughed.

“We’ve got to go. See you here at six, with the dog.”

And off they went, laughing. I looked at the dog. I’d never walked a dog before. The dog looked at me. I took hold of the lead, and set off into the wood. It led me through the wood, but I noticed something in its mouth. A bone was sticking out of its mouth. I never saw it swallow a bone. The dog was coughing and shaking its head. It wanted rid of the bone. A dog might choke on a bone.

I grabbed the foot, and pulled, but the dog took a mean kind of defensive stance, and growled. It was terribly good at the fight for food. I stood on the foot. The dog backed away. The bone came out of the dog. The dog looked up at me. I wanted to leave the woods. In the woods, a dog could pull tricks using its extensive knowledge. It had an unfair advantage.

We came to a wall. There was a ladder over the wall. The dog stopped at the ladder. It spun in circles under the lead, and I pulled. It dug in. It didn’t want to go into the field. I gave it lots of leadership, no contradictions, and no double meanings. I was half way up the ladder, showing it the way.

“Let’s go.”

But it dragged me off the ladder. I heard hooves. I stood up, and looked into the field. A horse was crossing the field trying to kick off its saddle which had slipped. The horse didn’t have eyes in the back of its head. The horse didn’t thrive on excitement. The saddle resembled a tiger, intent on killing. No one told the horse there was no tiger.

The dog stopped spinning, and put its head on its side. It considered the danger had passed. The dog had known about the horse before I did. I was glad I hadn’t got in the way of a runaway horse. It was ready to go, but I watched because I wanted to know what happened so I could learn some human anxiety. The horse ran into the road. A car headed towards the horse. It hit the brake, and missed the horse.

I didn’t stick around. I was up the ladder after the dog. We reached the top of the field, and a man in riding gear ran towards us. He was red-faced, and out-of-breath. He asked me if I’d seen the horse that threw him. I said I’d seen the shadow of a horse, and they ran in the direction I pointed.

We completed a circle, back to the car. We waited by the car. I was sure they’d abandoned their dog. It lay on its side, ears and nostrils active as though it feared the arrival of a dinosaur at any moment. Nobody told the dog there was no dinosaur.

It sat up, and sure enough, an SUV arrived. The dog’s owners. They stopped in front of us. They wound down the window, and asked me if I’d seen a horse. They said there was a full scale search for a runaway horse. I shrugged. They asked me if I’d be there tomorrow. I said I’d require a fee. They laughed. The dog jumped in the back. They slammed the doors, and left.

I unlocked my car, and heard a noise. I looked round. In the corner, by the fence, was the horse. The horse wanted to run some more. You see, nobody told the horse. Nobody was going to tell the horse. The horse was going to have to find out for itself.

Moral Purpose Poem

I was setting out

To write a poem

From a simple idea

That came from bombardment

With images each day-

Shoelaces.

 

Were the victims thinking

When they tied them that morning-

Just another day?

 

But then I realised

I had a moral purpose.

Should a poet have a moral purpose?

Or should it be disguised

Beneath a bag of wordplay?

My life and stuff

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